SOLEDAD INFINITA
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ALEM
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THE MAGIC BARREL
A collection of fairground tunes for accordion and hurdy gurdy, recorded between 2002 and 2006. And also an origin story.
In 2002 I was already 30 and doing cabaret in London, when my family saw fit to reveal I was directly descended from the celebrated Victorian contortionist Percy Delevine (great grandfather). I would have appreciated the knowledge a bit sooner frankly—especially during the years where I was pleading to join the circus—but not to worry. I immediately adopted the name for my act. I added to it the first name my father habitually called me—Ricardo—put up a sign, and went into the family business.
Clémentine
Extreme finesse in composition.
I’ve worked with Ricardo on quite a number of my video game projects, and his music has without a doubt became one of the greatest aspects of my games.
It is always a pleasure to work with him, and I’m so excited to see what he comes up with for each story and world.
Intelligent, heartfelt and soulful instrumentals … a first class example of eclectic chamber music, nostalgic and intimate yet too enlightened to be sentimental.
Compositions of unbearable talent.